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KATERYNA TITOVA
 

„She’s a revolutionary: technically brilliant, brushed against the grain; not a punk of classical music, but not quite the classy lady either. An artist who tells history with her hands…” - MDR -

“…with ivory power she shows contoured bitingness instead of simply shining in a salon-like manner…”  - Kronen Zeitung, AUT -

“…Titova plays with verve and circumspection, with cantabile rhetorical elegance…”
Peter Cossé, Klassik Heute

 

Ukrainian-born pianist Kateryna Titova, now based in Berlin, has won awards at over twenty international piano competitions. She began her musical education at the age of five in music schools in Kharkiv and Moscow. In 2001, she continued her studies in Germany, first in Münster with Michael Keller and later in Dresden with Arkadi Zenzipér.

As a soloist and chamber musician, Titova has performed throughout Europe, Russia, Ukraine, China, and the United States with renowned orchestras.
 

She is a guest in renowned concert halls such as the Berlin Philharmonie, the Elbphilharmonie and Laeiszhalle Hamburg, the Semperoper Dresden, the Musikverein and Konzerthaus Vienna, the Stefaniensaal Graz, Lisinski Hall Zagreb, and the Bridgewater Hall in Manchester. Her solo and chamber music recordings (including collaborations with oboist Ramon Ortega) feature works by Rachmaninoff, Beethoven, Mendelssohn, and Scriabin, and have been released by labels such as Sony Classical and Genuin.

Apr. 29, 2026 - 7:30pm

(doors open 6:45pm)

Kateryna Titova

Piano

Program
 

I. Johann Sebastian Bach and his sons
Preludes, dance movements, and character pieces from the world of *The Well-Tempered Clavier* and the Partitas meet the sensitive and gallant musical worlds of Carl Philipp Emanuel and Johann Christian Bach. The program is rounded out by the famous Petri arrangement of “Schafe können sicher weiden.”

II. Modest Mussorgsky: Pictures at an exhibition
Made famous by Ravel’s colorful orchestration, Mussorgsky’s Pictures at an Exhibition was originally composed for solo piano—a journey through an art gallery, so to speak—immediate and evocative.

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