The accio piano trio was founded in 2013 at the Mozarteum University in Salzburg. Since then, the ensemble has enjoyed a busy and continuous concert schedule at home and abroad, winning several prizes at national and international competitions.

From 2020-23, they completed a master's degree in chamber music at the HMDK Stuttgart, graduating with honors.

Their more than 200 public concerts to date have included their first tour of the USA with concerts in Washington, D.C. (including the Kennedy Center) and New York City.

As official cultural ambassadors for Austria, the trio can look forward to performances in Tokyo, London, Paris, Prague, and Mechelen (Belgium) this season.

program:

W.A.Mozart: 2 movements for piano trio KV442
Rarely heard, yet extremely exciting: two movements from the musical fragments found after Mozart's death. Mozart's student Maximilian Stadler initially completed the unfinished movements from his teacher's hand.
The movements performed here were completed and improved by the American music historian and pianist Robert Levin.

Frank Martin: Trio on Irish folk tunes
Frank Martin's Trio on Irish Folk Tunes unfolds the special magic of Irish folk melodies in a new, classically influenced sound.
The Swiss-Dutch composer, known for his distinctive combination of tradition and modernity, transforms simple themes into finely crafted chamber music. Catchy melodies, dance-like rhythms, and colorful sound combinations combine to create an atmospheric and surprising listening experience—familiar yet new, elegant and full of lively energy.

Cécile Chaminade: Trio Nr.2 in a-Moll
Catchy melodies, enchanting harmonies, and consistently brilliant virtuosity are the foundations of Cécile Chaminade's unparalleled popularity during her lifetime. As a celebrated pianist, always with her own works in her luggage, she traveled the Old and New Worlds, had tea with Queen Victoria, and was the first female composer ever to be admitted to the French Legion of Honor.
Almost completely forgotten in the second half of the last century, her works are now finding their way back into concert programs—and rightfully so!